Music Composition & Sonic Arts

Active since 2000, the Department of Music’s student ensemble “contempo” will be presenting its annual fall concert on Friday, November 23 at 7:30 PM in Convocation Hall. The concert will feature music composed in the last 40 years by international and Canadian composers. All are welcome to listen to a great variety of sounds, shapes, and dramatic gestures.

Contempo is co-directed by Roger Admiral and Andriy Talpash.

Works include Everything You Own Has Been Taken To A Depot Somewhere, Difficulties Putting Into Practice, Workers Union, Tinkleberries,  ÆTher, and more.

Admission is free. All are welcome

Welcome Back!

Welcome back to a new academic cycle!  For those who are new here, this site is maintained by the composition area, and represents the latest information about the current year’s activities.  Note that the music department pages are still the official location for general music department info, so please make sure you get to know that site as well.  Please note: all dates for student concerts and events are listed in the sidebar (which are subject to change). Please check this site often for updates and reminders!

Orientation

This year’s new and returning student orientation will be on Thursday, Sept. 30. The current schedule is as follows:

• 9:30 AM – 11:30 AM Graduate Student Orientation, FAB Studio 2-7
• 1:00 PM – 3:30 PM Undergraduate Student Orientation, Convocation Hall
• 4:00 PM – 5:00 PM Orientation to the Composition program, as well as new music ensembles, Studio 27-D in the Fine Arts Building (behind Studio 27)

Please join us for an evening of new works for violin + electronics, and string quartet.  Featuring works by graduate student composers Micah Hussell, Thomas Merklinger, Will Northlich-Redmond, Deepak Paramashivan, and Mark Segger.  Performed by Laura Veeze (violin), Yue Deng (violin), Leanne Maitland (viola), and Amy Nicholson (cello), and directed by Andriy Talpash.

Thursday April 19th
7:30 p.m. Convocation Hall

Admission by donation.

An eclectic concert hosted collaboratively by XiMe (U of A’s Experimental Improvisation Ensemble), Contempo Ensemble, MUSIC 470/570 Composition and Sonic Arts 2, and MUSIC 260 Composition.

Thirteen new works by Undergrad and Graduate composers will be premiered by UofA’s Department of Music ensembles XiMe and Contempo. Also Emily Casavant and Isael Huard will perform their own work, and the unique Will Northlich-Redmond will close the night with a memorable XiMe performance.

Join us! we promise there will be multichannel sound diffusion, fishes, interactive electronics, cats, trios, quartets, new conducting techniques, free improvisation, video scores, and even composers having nightmares with Saturn.

XiMe 2018 is Malaya Bishop, Ashley Weckesser, Sean Borle, Greg Mulyk, Thomas Woodrow Martin, Rio Houle & Jackson Hunter

We are very excited to host a talk this Wednesday (March 21) by the renowned Argentinian conductor and composer Miguel Bellusci, who will perform selections from Kagel’s Die Stücke der Windrose as part of New Music Edmonton’s 7th festival of new music (Holy Trinity Church, 7:30 p.m., March 23). The concert also features a work for string quartet and electronics by our own doctoral composition student Nicolás Arnáez, performed by the Vaughan String Quartet. It finishes with the world premiere of a Kagelian musical theatre piece by Bellusci himself.

Composer Mauricio Kagel, who was born in Buenos Aires in 1931 and passed away in Cologne in 2008, lived the first 26 of his 77 years in his home city and the next 51 in Germany. In Argentina, Kagel was often considered a German composer, while in Germany, although his name had a prestige that broadly overcame his biographical data, he was frequently associated with his native home of Argentina. Elsewhere he often simply placed in the blurry category of “Latin American” composer.

For this talk, entitled “The Argentine in Kagel,” Bellusci will trace the Argentinian elements of his works, an orientation which is essential in understanding his music.  Through diverse pieces such as Der Tribun, Mare Nostrum, Die Stücke der Windroseor, Tango alemán, and others, Bellusci will immerse us in Kagel’s unique musical universe, including his formative years in Argentina which shaped his unique and distinctive style.  Bellusci will also touch on his own work as it relates to the concert on Friday, March 23, which will be presented as part of Now Hear This!, the 7th New Music Edmonton Festival of New Music.

Talk:  Wednesday, March 21, 4-5 PM
University of Alberta, Fine Arts Building, room 2-28
FREE and open the the public

Concert:  Friday, March 23, 7:30 PM
Holy Trinity Anglican Church (10037 84 Ave NW)
Buy tickets here (student rates available)

Please join us for an evening of new works by University of Alberta faculty composers.

Faculty composers, Howard Bashaw, Mark Hannesson, Scott Smallwood and Andriy Talpash with new works for Guillaume Tardif, Roger Admiral, and the Edmonton Saxophone Quartet.

March 9, 2018 @ 7 30 PM
Timms Centre

Get Tickets Here

“Every something is an echo of nothing” ― John Cage

Program:

• WIDDENDREAMS | Andriy Talpash
• WHERE THE BULL DOZES | Scott Smallwood
• UNDECLARED | Mark Hannesson
• 12 FOR VIOLIN AND PIANO (2017) | Howard Bashaw

The Sound Studies Initiative pleased to host Dr. Salomé Voegelin.

Salomé Voegelin is an artist and writer engaged in listening as a socio-political practice. Her work deals with the aesthetic, social and political realities that are hidden by the persuasiveness of a visual point of view. She is the author of Listening to Noise and Silence: Towards a Philosophy of Sound Art, Bloomsbury 2010, and Sonic Possible Worlds: Hearing the Continuum of Sound, Bloomsbury 2014. Voegelin is a Reader in Sound Arts at the London College of Communication, UAL.

 

When: Tuesday, February 13^th at 3:30 p.m.

Where: Studio 2-7, Fine Arts Building

Light refreshments provided

This talk is an attempt at performing rather than presenting the fragments that make up a collection of essays on The Political Possibility of Sound, to be published by Bloomsbury in 2018.

An essay is an improvisation, a trial of material that is not necessarily good or complete. Its porous and contingent nature forgives a lack of formality while the absence of good style and the neglect of technological perfection or virtuosity releases the potential for the incomplete and the unrealizable. Through its improvisatory and ‘non-virtuous’ nature it lends itself to performance rather than a lecture: to make unexpected connections and juxtapositions that reveal a different way things could be thought.

This performance of essayistic fragments practices rather than articulates between sonic cosmopolitanism and impossible geographies, between the indivisible volume of an auditory world, the speculative reality of the invisible and the audible and inaudible subjectivities that inhabit its sonic depth. It agitates sound’s potential for interdisciplinarity and works across concerns to highlight the sonic in-between: sound is not ‘this’ or ‘that’, but is what things are together and thus it encourages a different thinking about the possibilities of the political.

Join us in a evening of graphic scores and free improvisation.
Music by:

Earle Brown, Isael Huard, Rio Houle, Greg Mulyk and Emily Casavant.

Performed by XiMe 2017:
– Malaya Bishop, Throat singing and other delights.
– Ashley Weckesser, Cello and surprising hits.
– Jackson Hunter, Percussion and found objects.
– Rio Houle, Drumming things and maybe piano.
– Greg Mulyk, Violin and electronics.
– Sean Borle, Djembe and something else.
– Thomas Woodrow Martin, Clarinet and surprises.
– Nico Arnáez, Double bass and mallets.

Doors 6:30, concert at 7:00. Convocation hall. Entrance by donation.

Monday, Dec. 11.  University of Alberta.

Mark Hannesson will present on the music of the Wandelweiser Collective.

On Weds, Sept. 27, flutist Paolo Bortolussi will perform a concert of new music for flute and electronics, and he will be accompanied by composer John Oliver. Both will offer an artist talk/master class at 4 PM, followed by a concert at 8 PM in Convocation Hall. Details:

• Masterclass:  4 PM, Fine Arts Building room 2-28
• Concert: 8 PM in Convocation Hall

The program for the “Birds of Paradise Tour” is drawn from and expands upon the critically acclaimed album Israfel, which was released by Paolo Bortolussi on the Redshift label in the spring of 2016. The album led to two nominations at the Western Canadian Music Awards: Composition of the Year for John Oliver’s Birds of Paradise Lost, as well as Classical Artist of the Year for flutist Paolo Bortolussi. The four works on the album highlight the spectrum of possibilities and challenges that have taken place in the world of electronic music. The earliest work, Israfel (1987) by Larry Lake, is a beautifully evocative work for amplified flute and tape, with no enhanced level of interactivity between the player and the electronic medium. Kaija Saariaho’s masterwork for flute and electronics, NoaNoa, creates 63 pedal-controlled electronic events that combine live processing of the flutist’s sound with electronic sounds and events. Keith Hamel, in Krishna’s Flute, takes this interaction a step further, where the computer tracks the flutist’s performance and adjust its timing based on what is happening in real time. Electronic events – be they live processing events or electronic sounds, can adjust continuously and vary in each performance. In John Oliver’s Birds of Paradise Lost, almost all of the electronic sounds are generated from the performer’s first few measures, in real time. The work unfolds with varying degrees of interaction between the computer musician processing the live sound, looping and playing back altered versions of it to interact with the live performer.  On this tour, we will add Elainie Lillios’ Among Fireflies, for alto flute and electronics, which combines elements of live performer/electronic media interaction with improvisation pyrotechnic virtuosity! While these works present a fascinating study of how performer and electronic media have interacted and continue to evolve, the pieces in their own right are lush, romantic, beautiful works, and together create a very satisfying program.